Over seventy years since his premature death, George Orwell (1903-50) has become one of the most significant figures in western literature. His two dystopian masterpieces, Animal Farm (1945) and Nineteen Eighty-Four (1949) have together sold over 40 million copies. Even now, he continues to exert a decisive influence on our understanding of international power-politics. D.J. Taylor's new biography, the first full-length study for 20 years, draws on a wide range of previously unseen material - newly-discovered letters to old girlfriends and professional colleagues, the recollections of the dwindling band of people who remember him, new information about his life in the early 1930s - to produce a definitive portrait of this complex, driven and self-mythologising man.

George Orwell's essay examines the power of language to shape political ideas. It is about the importance of writing concisely, clearly and precisely and the dangers to our ability to think when language, especially political language, is obscured by vague, cliched phrases and hackneyed metaphors. In it, he argues that when political discourse trades clarity and precision for stock phrases, the debasement of politics follows. First published in Horizon in 1946, Orwell's essay was soon recognised as an important text, circulated by newspaper editors to their journalists and reprinted in magazines and anthologies of contemporary writing. It continues to be relevant to our own age.

When Henry Ireland dies unexpectedly from what appears to be a riding accident in August 1863, the failed landowner leaves behind little save his high-strung young widow, Isabel--who somehow ends up in the home of Ireland's friend James Dixey. A celebrated naturalist, Dixey collects strange trophies in his secluded, decaying manse and has questionable associations with rather unsavory characters--including a pair of thuggish poachers named Dewar and Dunbar. Dixey's precocious, inquisitive young servant, Esther, cannot turn a blind eye to the suspicious activities surrounding her. While in the crime-ridden streets of London, a determined captain of Scotland Yard follows the threads that may well link a daring train robbery to the disappearance of a disturbed heiress as well as to the possible murder of Henry Ireland.

D. J. Taylor's "Kept" is a gorgeously intricate, dazzling reinvention of Victorian life and passions that is also a riveting investigation into some of the darkest, most secret chambers of the human heart.

Over seventy years since his premature death, George Orwell (1903-50) has become one of the most significant figures in western literature. His two dystopian masterpieces, Animal Farm (1945) and Nineteen Eighty-Four (1949) have together sold over 40 million copies. Even now, he continues to exert a decisive influence on our understanding of international power-politics. D.J. Taylor's new biography, the first full-length study for 20 years, draws on a wide range of previously unseen material - newly-discovered letters to old girlfriends and professional colleagues, the recollections of the dwindling band of people who remember him, new information about his life in the early 1930s - to produce a definitive portrait of this complex, driven and self-mythologising man.

Shortlised in the 2022 East Anglian Book Awards Some of the characters in Stewkey Blues have lived in Norfolk all their lives. Others are short-term residents or passage migrants. Whether young or old, self-confident or ground-down, local or blow-in, all of them are reaching uneasy compromises with the world they inhabit and the landscape in which that life takes place.

A new edition of Orwell's timeless dystopian classic, introduced and annotated by his biographer, D.J. Taylor Since its first publication in 1949, Orwell's devastating expose of the totalitarian mind has established itself as the most influential political satire of the modern age. Winston Smith's doomed rebellion against the all-seeing eye of Big Brother, and a world corrupted by technology and the perversion of language, is as relevant now as it ever was. This new edition includes an introduction and extensive end-notes, and an appendix containing original responses to the novel and several of Orwell's essays from the period in which Nineteen Eighty-Four was written.

A new edition of Orwell's savage satire of the Soviet Revolution, introduced and annotated by his biographer, D.J. Taylor First published in 1945, just as the allied forces had begun to parcel up the post-war world, Orwell's satire of the Soviet Revolution was instantly acclaimed as a Cold War classic. Set in the English countryside in the early years of the twentieth century, this is the story of a rebellion that fails, carried out by revolutionaries who all too swiftly turn into the thing they were trying to destroy. This new edition includes an introduction and extensive end-notes, and an appendix containing original responses to the novel as well as letters and documents from the period in which Animal Farm was written.

Rock and Roll is Life pays homage to a formative period in music history, at the height of the Helium Kids’ popularity. Three decades after their heyday in the late ‘60s and early ‘70s, the band’s publicist Nick Du Pont looks back on the turbulent trajectory of the supergroup, traversing the bacchanalian excesses and tragedies of a golden age in British music.

Orwell is most well-known for his two famous novels Nineteen Eighty-Four and Animal Farm, but their dystopian vision was informed by observations of poverty in England (Down and Out in Paris' and London and Road to Wigan Pier), and disillusion with political and national events of the 1930s and 1940s. Homage to Catalonia chronicled his experience of the Spanish Civil War and formulated his revulsion against totalitarianism, highlighted in his subsequent novels. This new collection (edited and with a new introduction by Professor Richard Bradford, and a foreword by Whitbread Prize winner D.J. Taylor) brings together Orwell's two celebrated novels and some of his seminal nonfiction (extensive extracts from Down and Out in Paris and London and The Road to Wigan Pier, and the whole of Homage to Catalonia), along with some brief extracts of pertinent work by Jack London, who also explored totalitarianism in The Iron Heel (fiction), and the Russian dissident Yevgeny Zamyatin whose own work We (1921) offers a strong warning about a dystopian police state. A new addition to the Flame Tree deluxe Gothic Fantasy series on classic and modern writers, exploring origins and cultural themes in myth, fable and speculative fiction. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

It's 1978 and Nick Du Pont, one-time PR man to Sixties rock behemoths the Helium Kids, is back in London and bent on founding his own record label. A new kind of music - sharp, hard and dangerous - is bursting onto the airwaves on both sides of the Atlantic and Nick wants a slice of the action - in particular, the work of The Flame Throwers, the most provocative assemblage of street-smart desperadoes ever to hail from downtown Los Angeles. Picking up from where the highly-praised Rock and Roll is Life (2018) left off, this is the story of Resurgam Records and the personal traumas and tragedies that attended its coruscating rise - until the time when, as so invariably happens, the dancers shuffle to a halt and the music stops.

A new edition of Orwell's debut novel, introduced and annotated by his biographer, D. J. Taylor First published in 1934, and a bitter souvenir of Orwell's time as a servant of the British Raj, Burmese Days follows the slow decline of John Flory, as he tries to steer a path between the bores of the Kyauktada club, the machinations of the native magistrate U Po Kyin and his love for a visiting English girl, with tragic results. This new edition includes an introduction, extensive endnotes and an appendix containing original responses to the novel as well as letters and documents from the period in which it was written.

For two decades D.J. Taylor has been one of the UK's most celebrated biographers, novelists and critics. During this time, he has also quietly and consistently produced some of the finest short stories in contemporary fiction. Wrote For Luck contains several newly written pieces, alongside a dozen other works showcasing his developing mastery of the form, gathered under one cover for the first time.

'Taylor's magnificent new novel is Spinal Tap for literary types . . . thoroughly entertaining, knowledgeable romp through the fear and loathing of rock's golden age. Beautifully written and consistently funny, it is also a poignant account of one man's search for his own identity' Mail on Sunday 'A dazzling rollercoaster homage to an era both bacchanalian and oddly innocent' Guardian You may remember the Helium Kids. Back in their late '60s and early '70s heyday they appeared on Top of the Tops on 27 separate occasions, released five Billboard-certified platinum albums, played sold-out shows at Madison Square Garden and were nearly, but not quite, as big as the Beatles and the Stones. Three decades later, in the big house on the outskirts of Norwich, Nick Du Pont is looking back on the rollercoaster years he spent as their publicist in a world of licensed excess and lurking tragedy. What follows is not only the story of a rock band at a formative time in musical history, when America was opening up to English music and huge amounts of money and self-gratification were there for the taking. For the tale is also Nick's - the life and times of a war-baby born in a Norwich council house, the son of an absconding GI, whose career is a search for some of the advantages that his birth denied him. It is at once a worm's eye of British pop music's golden age and a bittersweet personal journey, with cameo appearances from everyone from Elvis and Her Majesty the Queen Mother to Andy Warhol. 'Rock and Roll is Life' is a vastly entertaining, picaresque and touching novel inspired by the excess and trajectories of the great '60s and '70s supergroups, and of the tales brought back from the front line by a very special breed of Englishmen who made it big in the States as the alchemists and enablers, as well as the old making way for the new in the era of the baby boomers. At its heart is one man's adventure, and the poignancy of the special relationships that dominate his life.

A new edition of Orwell's starkly realistic second novel, introduced and annotated by his biographer, D. J. Taylor First published in 1935, when Orwell was struggling to establish himself as a writer, A Clergyman's Daughter tells the story of twenty-something Dorothy Hare, whose mundane life in a Suffolk rectory is thrown out of kilter by an amnesiac episode that sets her adrift in a new and frighteningly insecure world. This new edition includes an introduction, extensive anecdotes and an appendix containing original responses to the novel as well as letters and documents from the period in which it was written.

From the author of the definitive biography of George Orwell, a captivating account of the origin and enduring power of his landmark dystopian novel  Since its publication nearly 70 years ago, George Orwell’s 1984 has been regarded as one of the most influential novels of the modern age. Politicians have testified to its influence on their intellectual identities, rock musicians have made records about it, TV viewers watch a reality show named for it, and a White House spokesperson tells of “alternative facts.� The world we live in is often described as an Orwellian one, awash in inescapable surveillance and invasions of privacy.  On 1984 dives deep into Orwell’s life to chart his earlier writings and key moments in his youth, such as his years at a boarding school, whose strict and charismatic headmaster shaped the idea of Big Brother. Taylor tells the story of the writing of the book, taking readers to the Scottish island of Jura, where Orwell, newly famous thanks to Animal Farm but coping with personal tragedy and rapidly declining health, struggled to finish 1984. Published during the cold war—a term Orwell coined—Taylor elucidates the environmental influences on the book. Then he examines 1984’s post-publication life, including its role as a tool to understand our language, politics, and government. In a current climate where truth, surveillance, censorship, and critical thinking are contentious, Orwell’s work is necessary. Written with resonant and reflective analysis, On 1984 is both brilliant and remarkably timely.

Since the late 1990s, Private Eye's 'What You Didn't Miss' column has trained a vigilant lens on some of the great literary reputations of our age. Highlights of this bumper selection include Martin Amis exploring the sexual revolution of the 1960s, A.S. Byatt rewriting the Norse myths and the late Anthony Powell reflecting on his death. There are verse contributions from such distinguished contemporary poets as Seamus Heaney, Clive James and Sir Andrew Motion and a host of biographical subjects ranging from Hugh Trevor-Roper to the Bloomsbury Group. Edited and introduced by D.J. Taylor, What You Didn't Miss Part 94 doubles up as both an hilarious collection of literary lampoons and an alternative history of modern English Literature.

A Times Book of the Year 2019 'You should not deny yourself the pleasure of reading it' Sunday Times 'A remarkable work and an important addition to the extraordinary wartime history of literary London' Literary Review Who were the Lost Girls? At least a dozen or so young women at large in Blitz-era London have a claim to this title. But Lost Girls concentrates on just four: Lys Lubbock, Sonia Brownell, Barbara Skelton and Janetta Parlade. Chic, glamorous and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, they cut a swathe through English literary and artistic life in the 1940s. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became the mistress of the King of Egypt and was flogged by him on the steps of the Royal Palace. And all of them were associated with the decade's most celebrated literary magazine, Horizon, and its charismatic editor Cyril Connolly. Lys, Sonia, Barbara and Janetta had very different - and sometimes explosive personalities - but taken together they form a distinctive part of the war-time demographic: bright, beautiful, independent-minded women with tough upbringings behind them determined to make the most of their lives in a highly uncertain environment. Theirs was the world of the buzz bomb, the cocktail party behind blackout curtains, the severed hand seen on the pavement in the Bloomsbury square, the rustle of a telegram falling through the letter-box, the hasty farewell to another half who might not ever come back, a world of living for the moment and snatching at pleasure before it disappeared. But if their trail runs through vast acreages of war-time cultural life then, in the end, it returns to Connolly and his amorous web-spinning, in which all four of them regularly featured and which sometimes complicated their emotional lives to the point of meltdown. The Lost Girls were the product of a highly artificial environment. After it came to an end - on Horizon's closure in 1950 - their careers wound on. Later they would have affairs with dukes, feature in celebrity divorce cases and make appearances in the novels of George Orwell, Evelyn Waugh, Anthony Powell and Nancy Mitford. The last of them - Janetta - died as recently as three months ago. However tiny their number, they are a genuine missing link between the first wave of newly-liberated young women of the post-Great War era and the Dionysiac free-for-all of the 1960s. Hectic, passionate and at times unexpectedly poignant, this is their story.

'Hugely enjoyable' AN Wilson, Sunday Times 'Thoughtful, entertaining and enjoyable' Michael Gove, Book of the Week, The Times Inspired by William Makepeace Thackeray, the first great analyst of snobbery, and his trail-blazing The Book of Snobs (1848), D. J. Taylor brings us a field guide to the modern snob. Short of calling someone a racist or a paedophile, one of the worst charges you can lay at anybody's door in the early twenty-first century is to suggest that they happen to be a snob. But what constitutes snobbishness? Who are the snobs and where are they to be found? Are you a snob? Am I? What are the distinguishing marks? Snobbery is, in fact, one of the keys to contemporary British life, as vital to the backstreet family on benefits as the proprietor of the grandest stately home, and an essential element of their view of who of they are and what the world might be thought to owe them. The New Book of Snobs will take a marked interest in language, the vocabulary of snobbery - as exemplified in the 'U' and 'Non U' controversy of the 1950s - being a particular field in which the phenomenon consistently makes its presence felt, and alternate social analysis with sketches of groups and individuals on the Thackerayan principle. Prepare to meet the Political Snob, the City Snob, the Technology Snob, the Property Snob, the Rural Snob, the Literary Snob, the Working-class Snob, the Sporting Snob, the Popular Cultural Snob and the Food Snob.

'An entertaining history of literary life' Nicholas Shakespeare, Daily Telegraph Spanning a century of literary history, from the pitched battles fought between Eliot-era modernists and Georgian traditionalists to the impact of creative writing degrees and the media don of today and taking in 'star reviewers', sniping critics, caballing editors and megalomaniac professors along the way, The Prose Factory explores the myriad influences on English literary life in the past century and the way in which they have shaped our preferences. 'An amazing achievement' David Lodge 'A pleasingly gossipy history of literary life in England since 1918...very enjoyable' Observer 'Elegantly written, defiantly intelligent, scrupulously researched and richly enjoyable' Mail on Sunday

The modern obsession with celebrity began with the Bright Young People, a voraciously pleasure-seeking band of bohemian party-givers and blue-blooded socialites who romped through the gossip columns of 1920s London. Drawing on the virtuosic and often wrenching writings of the Bright Young People themselves, the biographer and novelist D. J. Taylor has produced an enthralling account of an age of fleeting brilliance.

"The laziest way to put someone down is to call him or her an egomaniac. It's what we say when we loathe someone but can't think of anything more precise. That label was often and too easily applied, in London in the late 1920s and early '30s, to members of the so-called Bright Young People: a small, carefully circumscribed circle of elite 20-somethings who seemed to glide, as D. J. Taylor puts it in his nimble new book, on 'a compound of cocktails, jazz, license, abandon and flagrantly improper behavior.' The Bright Young People were the most glamorous, influential, self-absorbed, quasi-bohemian and overeducated creatures in existence. During their flickering moment they were adored and despised in almost equal measure. Good parties are enemy-making machines--You weren't asked? Surely your invitation was lost in the mail--and no one orchestrated them like the Bright Young ones. Nearly every event was an eye-popping spectacle, fully played out in the era's gossip columns. In his novel "Vile Bodies," published in 1930 (and still hilarious), Evelyn Waugh gave an overview of the Champagne-fueled social carnage: 'Masked parties, savage parties, Victorian parties, Greek parties, Russian parties, circus parties, parties where one had to dress as somebody else, almost naked parties in St. John's Wood, parties in flats and studios and houses and ships and hotels and nightclubs, in windmills and swimming baths . . . all the succession and repetition of massed humanity. . . . Those vile bodies.' Waugh, of course, was a Bright Young Thing himself, or at the least he existed at the group's margins. So did others who would go on to become well-known artists: John Betjeman, Nancy Mitford, Anthony Powell, Cecil Beaton and Henry Green among them. These bold-face names were among the lucky survivors. More than a few burned out, got lost or threw their promise away. Other would-be Bright Young People, Lytton Strachey snarked, seemed to have 'just a few feathers where brains should be.' Mr. Taylor, the British author of "Bright Young People: The Lost Generation of London's Jazz Age," is a biographer (he has written lives of Thackeray and Orwell) and literary critic, and he tells this story with a good deal of essayistic flair, precision and flyaway wit. Just as important, he relates this ultimately elegiac narrative with a surprising amount of intellectual and emotional sympathy. He plainly wants to be bothered by the Bright Young People's antics, too. 'One of the great consolations of English literary life, ' Mr. Taylor observes, wonderfully, is the idea that 'seriousness is automatically the preserve of people with cheery, proletarian values and prosaic lifestyles--that a barfly with a private income and a web of well-connected friends has already damned himself beyond redemption.'"--Dwight Garner, "The New York Times
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"The saga of Beaton, Evelyn Waugh and the less famous social butterflies that everyone called the Bright Young People may be the ideal escapist fantasy for these sober economic times. Theirs was a life of glittering frivolity, of scavenger hunts that stopped traffic in Sloane Square, cocktails and dancing until dawn, notorious gatherings like the Bath and Bottle Party at a swimming pool ('bring a Bath towel and a Bottle' the invitation said), sprees that envious mortals read about in gossip columns. To make the fantasy complete, the story even offers a satisfying touch of schadenfreude. As D. J. Taylor emphasizes in this incisive social history, these flighty creatures crashed with a thud louder than you'd imagine butterflies could make. Taylor compares the Mozart party photo to a 'medieval morality play' capturing how the Bright Young People got their comeuppance: their zaniness became more self-conscious and attenuated; they tried to ignore the fragile postwar economy and the crumbling aristocracy, but those changes were ready to bite them. It was fun while it lasted, though, for much of the 1920s . . . Lightened by the book's beautiful design, laced with mordant period quotations and delicious satiric cartoons from newspapers and magazines. Taylor's richly detailed work also calls attention to two breezy, auspicious first novels about the Bright Young People that are unfortunately out of print: Nancy Mitford's "Highland Fling" and Anthony Powell's "Afternoon Men.""--Caryn James, "The New York Times Book Review"
"Combining diaries, biographies, news reports and novels to paint the social life of 1920s London, D.J. Taylor has created that rarest of books--one you can safely recommend both to scholars of Evelyn Waugh and the entourage of Paris Hilton. The engaging "Bright Young People," written by a critic and novelist best known for his biography of George Orwell, reads like a case study in youth culture, trendsetting, log-rolling and cultivated bohemianism. It examines the symbiotic relationship between a loose-knit group of partygoers and a media that, in gossip columns and mocking denunciations, made them the first celebrities who were famous, in our contemporary sense, for being famous. By the most generous estimate, there were never more than 2,000 souls among the ranks popularly known at the time as the Bright Young People. By most accounts, those souls were self-absorbed, self-mythologizing and terribly jaded. Their defining exploits included boisterous scavenger hunts, extravagant hoaxes and the 'stylized debauchery' of more fancy-dress balls than you can shake an engraved 16-inch-high invitation at--including the Bath and Bottle Party, the Circus Party, the Hermaphrodite Party, the Great Urban Dionysia and the Mozart Party, where the menu came from a cookbook owned by Louis XVI. They excited the public imagination--and incited a moderate moral panic--with their fast living and reflexive flippancy. The greatest talents associated with the movement were Waugh and the photographer Cecil Beaton. Taylor deftly traces how the former drew on his friends' exploits for the hysterical satire of "Vile Bodies" and "Decline and Fall," and how the latter--an Edmund Hilary among social climbers--used his to further his career. Lesser accomplishments detailed here include "Singing Out of Tune," a novel by brewery heir Bryan Guinness that documented the Bright Young Person's daily routine: 'waking up late, meeting people for lunch, bringing the lunch party home for tea, moving on to cocktails and dinner . . . and ending up with a communal trek around the fashionable restaurants of the West End.' But in this realm any accomplishment was an exception, and the non-career of the occasional poet Brian Howard proved emblematic of this wasted youth revolt. 'The books Brian Howard never wrote would fill a decent-sized shelf, ' Taylor writes, elsewhere noting that the man lived out his frustrating life 'in that exotic never-never land where the Ritz bar meets the out-of-season Continental resort.' The fun ended soon enough; by 1931, England was in financial crisis and a 10-hour-long Red and White Ball rang down the era. But Taylor's skillful reconstruction of the whole hazy time feels like a lasting party favor."--Troy Patterson, NPR

"A poignant study of the elusive relationship between art and the

Many have traversed the Nile, and witnessed the splendour of Ancient Egypt and its legacy. Not all, however, are able to express these experiences in words... For those who have visited the wonders of the Egyptian deserts, this travelogue will revive treasured memories. And, for those who have yet to encounter the breathtaking sights of the Aswan High Dam and Tutankhamen's tomb, EGYPT is the best possible advertisement for doing so. At times poignant, and often humorous, this book puts into words what is so difficult to describe - sheer wonderment.

A new edition of Orwell's elegiac fourth novel, introduced and annotated by his biographer, D.J. Taylor First published in 1939 and dominated by the shadow of the Second World War, Coming up for Air finds fat, middle-aged and unhappily-married George Bowling trying to revisit the world of his Edwardian childhood in rural Oxforshire, only to discover that the certainties of his past are dead and that a very different future is looming up to claim him. This new edition includes an introduction and extensive end-notes, and an appendix containing original responses to the novel as well as letters and documents from the period in which it was written.

A new edition of Orwell's end-of-tether third novel, introduced and annotated by his biographer, D.J. Taylor First published in 1936, and drawing on Orwell's own experiences of working in a Hampstead bookshop, Keep the Aspidistra Flying tracks the career of Gordon Comstock ('nearly 30 and moth-eaten already') a struggling poet who tries to rebel against the conventions of middle-class English life, only to be drawn inexorably back into the world that grinds him down. This new edition includes an introduction and extensive end-notes, and an appendix containing original responses to the novel as well as letters and documents from the period in which it was written.